Spatial
Through written and artistic contributions to various projects, I trace how artworks, exhibitions, and places are imagined and experienced.
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Selected Writing & Activity
2025 — “Rainbow Pages,” The Performance Paper, no. 2
2022 — “Ronald McDonald's Arts District,” Architect Victoria, ed. 3
2022— Insider's Guide, f.eks., Arts Platform and Residency Program in Aalborg, Denmark (feature artist)
2022 — “On the Job with Kathi Hofer / Mit Kathi Hofer bei der Arbeit,” Camera Austria International, no. 158
2021 — “Toward 100 chapters of the Los Angeles Tenants Union,” ROAR (with LATU Media Committee)
2021 — “Giovanni Brino,” catalog text for Delusionarium 5 (Adaptation) at Night Gallery, Los Angeles
2019–21 — “Preserve,” three-part series on historic preservation, Georgia (online)
2019 — “Bruce Goff's Al Struckus House,” SOVO, Fall
2019 — “Postcard View,” in Renée Petropoulos (Los Angeles: Otis College)
2019 — “Traveling Salesperson,” Artillery, May/June
2018 — “History on the Make,” X-TRA Contemporary Art Quarterly, Summer, Vol. 20.4
2017 — “Let the Building Be the Sign,” Art Los Angeles Reader / Terremoto (online)
2017 — “A Sense of Place in the Work of John Knight,” in John Knight, CUL-DE-SAC (Los Angeles: REDCAT)
2015 — The Benefit of Friends Collected, Vol. 2 (Los Angeles: Project X)
2014 — “The Gentrification of the People’s Market: Interview with director Dylan Valley” Archinect (online)
2013 — Chockablock exhibition, University Art Museum, California State University, Long Beach (artist participant)
2013 — Centerfold, Los Angeles Forum for Architecture and Urban Design Newsletter
2011 — Bring Football Back, 323 Projects, Los Angeles (feature artist)
2010 — “Support Group,” X-TRA Contemporary Art Quarterly, Winter, Vol. 13.2
In 2010, I was introduced to the art collective Ultra-Red and would become part of the School of Echoes anti-gentrification study group, which would go on to initiate the Los Angeles Tenants Union in 2015.